Hi everyone, and welcome
back to Too Many Books to Count! I’m
glad you stopped by. If you’ve picked up your copy of Anialych, I really hope
you’re enjoying it—and if you haven’t, then I’ll pester you yet again and tell
you to head over to www.rad-writing.com/store to order yours! You can also get
it in digital on Kindle, Nook, and Kobo… but you’re better off getting it from
RAD. Honestly. I’m not just saying that because I work there. If you get the
digital copy at RAD, you’re getting a much better deal.
I’ve digressed.
All month long, we’ve
been talking about writing a series of standalone novels. It’s a process, and a
long and hard one. It’s not generally written (or released, for that matter) in
chronological order—which makes it even more difficult to keep everything
straight. Which is why I wanted to take a month to talk about it.
If you haven’t been
around this month, I’d highly recommend scrolling through the posts from March
and seeing everything we’ve discussed thus far. For the rest of you, let’s get
right into it.
Don’t “finish” every story
Really, this is a
pretty good general rule of thumb, no matter what kind of story you’re writing.
Why? Because if you tie a neat little bow on the end of your story, you’ve
prevented your reader from imagining how they think the story ends. Reading is
about experiencing through imagination, so it’s best to allow your readers that
chance at imagination—but that’s really not what we’re talking about today.
No, see, I want you to leave some loose ends in your books so they can be tied up in other books in the series.
Not big loose ends,
mind you. Just little ones, questions that your readers might be wondering
about along the way. Little things that maybe don’t quite make sense,
additional characters who feel like they don’t need to be there (but will maybe
play a larger role in another book down the line, perhaps).
These are all things
that you, as a writer, should be thinking about in any case. You should be
thinking of ways to connect your stories to one another. Endings are a great
way to do that. Leave a little loose end in book one, and have the answer
revealed offhandedly in book four. I’ve actually done this with a few things in
the Druid Novels, many of them so subtle that casual readers might miss them,
but I inserted them for the avid readers, those who like to piece everything
together.
And that’s who I want
you to cater for, when you do this.
It’s about the little
things, the itty-bitty details that only your avid fans will really see. It’s
about finding a way to connect those fans with the story as a whole. Give them
little words and phrases here and there that connect the stories and tie up
loose ends from other books. Mention what happened to characters in book two,
with the characters in book five.
My one warning, when
you’re doing this? Don’t do it in pure exposition. It can be a character
thinking, or two characters talking, but if you're in book seven and you insert in pure exposition what
really happened to Franklin at the end of book four in your series, you’re just
coddling your audience. It’s okay to make them work for it, to let them use
their imagination.
Besides, if it’s your
characters tying those loose ends, it comes out much more naturally, from a reader’s perspective.
[love]
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