Valentine’s Day is coming up, and
I thought that made for a good reason to talk about one of the biggest tenants
of every story: love. It’s in literally every story written, even if you don’t
think it is, even if readers don’t notice it’s there. But for a lot of us, love
is what drives a story forward, it’s what keeps characters moving, what keeps
them from falling into a pit of despair, and I think that makes for a very
interesting topic, for today.
Why does everything revolve around love?
As you all well know, story
imitates life. We’re trying to make our stories as close to real life as can
be, even if our stories have nothing to do with real life at all. If the story
doesn’t imitate life, then the reader has great difficulty following and
understanding what the writer was trying to convey.
And, as we all know, love is a
big part of life.
But here’s what you may not think
of, in your everyday goings on:
Love is a part of every single thing you do, and influences nearly every decision you make.
Yeah, I know, that’s a really big
statement, but it’s completely true. It’s scientifically proven that people who
feel more loved by their parents, who don’t feel shunned and abused and
unloved, are more likely to grow up into a more well-rounded and solid
character. Those who feel unloved, those who are abused and hurt as children,
have greater difficulty later in life because they feel they cannot trust
anyone to love them, that they are unlovable. And this upbringing, this abundance or deprivation of love, will determine many things in a character's everyday life—whether they realize it or not.
You see, I’m not just talking
about the happy side of love influencing us. It’s not all candy and roses out
there, and neither is it for our writing. It’s also about the darker things,
that people who have been told over and over again that they could not be
loved, that there’s nothing about them that’s loveable.
That influences us more than we
think.
See, we start to believe what
we’re told, the more it’s told to us. It’s natural, from the start of our
lives. So if Momma told you ain’t nobody gonna love you, then by the time
you’re an adult, you probably agree. But if Momma told you people gonna be
falling on their faces in love with you, that’s probably what you’ll expect
when you’re an adult.
It’s the same for our characters.
What happened to them when they were younger, the type of love they were shown,
will influence the way they behave as adults—and the types of love they feel
now, whether toward people or places or things, will impact the way they view
the world as a whole.
We cannot afford to avoid love in
our stories. To do so would be to deny a huge part of what life is, of the thing
we’re trying to emulate through words on a page.
It doesn’t have to be all lovey-dovey. In fact, it shouldn’t be. But don’t forget to write about love. Don’t be
so caught up in the things going on that you forget about the characters and
what’s going through their minds. Don’t forget that we always think back to
when we were little, to when so-and-so said such-a-thing that hurt our feelings
and made us wonder every day whether it’s worth it to go on.
Because that’s how real people
think, that’s how real people live, and we want our characters to be real, too.
[love]
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